Last Saturday, the gallery hosted an impromptu one-day preview of Marcus Brutus: En Focus, which formally opened November 13 at Harper’s Chelsea 512. The day before, we had arranged the paintings along the floor for a special client, one of Marcus’s most dedicated supporters. The works, still in their shadowboxes, were placed by size beneath our current exhibition by Iria Leino. No curatorial thought was given to the placement; I had planned to return them to storage immediately after the meeting.